What to Do After a Nuclear War

A couple of years after I began working as a camerawoman in the Pakistan region where I live, the men attacked me because I was filming. They pushed me and jostled and broke my camera. My mother and my worried relatives tried to persuade me to alter jobs, to find work in an office. I refused.

"There's no really safe place for a female in Pakistan" https://www.forinaukripak.com/

"There is no really safe area for a female in Pakistan," I told them. "The danger is everywhere, wherever I am. I know and love my work. When I work in danger, it creates me stronger. I feel more alive. "

Working as a photographer and camerawoman is just a real challenge in my own country. It is very socially conservative and the city where I live, Multan in Punjab, features a reputation for violence against women. We hear of only "honor killings", collective rapes approved by village councils, or young girls directed at a rival to close an alternative one.

It's even harder should you choose a thing that breaks with tradition: a female filming an event. I also have one eye in the viewfinder and one other on the men who come near to consider me. When I go to the south, to cover, for instance, the activities of extremists in rural areas, I am even more cautious.

I began at the age of 18, in an exceedingly simple way, each time a neighbor asked me to film a wedding in the traditionally reserved area for women. He put a huge VHS camera within my hands and gave me some advice. The effect was not too bad.

The neighbor encouraged me by offering me a fresh job.

I was very excited to have the ability to help my children by the addition of a little to the modest income from my father's goat business.

Next time I tangled the brushes in the settings, and the result was all blue. The consumer was so unhappy he didn't pay my neighbor.