Animation in Computers


In the mid 80's, the American animation industry fell into disgrace. Toy commercials masquerading as entertainment programs cartoons dominated the evening and the morning of Saturday, and the only real experiment was carried out by independent developers. Even animated films were projected in theaters at times, however the glory of the old days was gone. Even the animation giant Disney, which had fought a corporate acquisition in the 80's, was considering abandoning the production of animated feature films. Gogoanime


The enthusiastic audience, critics, and the animators were taken by surprise once the long-awaited renaissance of animation began in the oldest and most conservative corporation, Disney.

Disney had a drastic change in the 80, its new chief Michael Eisner the business relocated to his feet, returning to its roots and revitalizing their studies. With great fanfare, in 1988 the research caused Steven Spielberg to create the animated film Who Framed Roger Rabbit, directed by Robert Zemeckis. The film was a success, and gave to the animation industry awaited push for that time. Roger Rabbit not merely earned him a pile of money for Disney, but also sparked the popularity of the classic animation that continues to this day. The real history of animation suddenly became an object of study (and their fans). Several directors, business legend, such as for example Chuck Jones and Friz Freleng were suddenly in the spotlight, being acclaimed after decades to be virtually ignored by audiences and industry professionals.

Disney continued the success of Who Framed Roger Rabbit? with "The Little Mermaid", the first of some animated films that seemed to recapture the magic of the golden age of Walt Disney himself. The studio invested heavily in new technology of computer animation for such purposes, but could do super-productions like "Beauty and the Beast" and "Aladdin," which attracted audiences which were not seen in decades, and Once provided a visible feast that's not been exceeded considering that the 40. The peak of the hit Disney was in 1994 when his film "The Lion King" exceeded all expectations of the study to become one of the very successful of most time. Even later Disney films as "Pocahontas," "The Hunchback of Notre Dame", "Hercules," "Mulan" and "Tarzan" was blockbusters.

Disney has also made inroads into the neglected area of the animated TV series. With the success of shows like "The New Adventures of Winnie the Pooh", "The Adventures of the Gummi Bears Disney" and "Duck adventures", the "new" Disney made his mark in TV pictures. Through association and repetition, Disney can offer high quality animation for TV. A series of large diffusion was conducted in mid-nineties, with some critics designating "Gargoyles" whilst the Disney animation project for TV's most ambitious and best done artistically. The soundtracks of each one of these animated films were an important section of its success, because Disney was including in each one of these projects a loud voice from the planet of music, such as Elton John (The Lion King), Luis Miguel (The Hunchback of Notre Dame), Ricky Martin (Hercules), Christina Aguilera (Mulan), Celine Dion (Beauty and the Beast), Ricardo Montaner (Aladin), Jon Secada (Pocahontas), among others.

Spielberg and animation

Spielberg and Bluth

While Disney gave new life to animation, Steven Spielberg was making their own way. Animation amateur life, Spielberg was also enthusiastic about making good quality animation, and caused his rival, Don Bluth animation producer to make "Fievel and the New World." The box office success of this and Bluth's next film, "In The Land", Hollywood made him recognize that Disney didn't hold a monopoly on animated features. One other Hollywood studios resumed production of its animated features, but still falling in to the trap of attempting to imitate Disney's 1997 film Don Bluth, "Anastasia", produced by Fox, is mentioned as the main one launched the Fox Animation Studios and Disney's rival, however, these studies didn't succeed after "Anastasia" and closed in 1999. Similar to successful productions of Disney, "Anastasia" was attended by Thalia, who played the central theme of the soundtrack in its versions in Spanish, English and Portuguese.

Spielberg and Warner Bros.

Spielberg, meanwhile, switched to TV and caused animation studio Warner Bros. to produce "The Tiny Toon Adventures," a superior quality animated series that paid homage to the truly amazing cartoons of Termite Terrace. "The Tiny Toon Adventures" had an excellent rating because of its young viewers, which inspired the Warner Bros to resurrect his dying animation studio and once again a competitor in the field of animation. The Tiny Toon Steven Spielberg were continued by presenting "Animaniacs" and "Pinky and the Brain" ;.The latter not just attracted new viewers to Warner Bros., but additionally captured the attention of viewers adolescents and adults.

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